Loan receipt compiled by the Fogg Art Museum Registrar to the Whitney Studio Club, April 12, 1928. Document is nine pages. Each page is signed by the Registrar. Includes a catalog number and description for 42 artworks received.
Letter from Maude Littlefield Baillard to Gertrude Vanderbilt Whitney, dated November 2, 1928. Requesting participation from the Whitney Studio Galleries for an advertising campaign titled "In the New York Art Galleries".
Letter from Maude Littlefield Baillard to Gertrude Vanderbilt Whitney, dated November 2, 1928. Requesting participation from the Whitney Studio Galleries for an advertising campaign titled "In the New York Art Galleries". Typewritten on letterhead.
Art, American--20th century--Inventories; Art--Prices; Whitney Studio Galleries--Paperwork (Office practice);
Loan receipt between the Newark Museum Association and the Whitney Studio Galleries, dated December 19, 1929. On loan: "Lamp of Sleep" by Oscar Bluemner; "Pink Villa" by Rohland; "White Horses" by Karl Free. These watercolors are on loan for the...
Art, American--20th century--Inventories; Art--Prices; Whitney Studio Galleries--Paperwork (Office practice);
Loan receipt between Whitney Studio Galleries and The Newark Museum Assocation, dated December 27, 1929. On loan: "The Plaza Taos" by Lockwood and "Dyckman St. Environs" by D'Agostino. For related business correspondence, see also: Registrar's...
Art, American--Exhibitions ; Art, Modern--20th century--United States--Exhibitions; Flowers in art--Exhibitions
Catalogue from the Spring Exhibition, also known as The Flower Exhibition, held March 17-29, 1930 at the Whitney Studio Galleries. Introduction by Lloyd Goodrich. Color cover with black and white illustrations and a list of the exhibition...
Art, American--Exhibitions ; Art, Modern--20th century--United States--Exhibitions; Flowers in art--Exhibitions
Catalogue from the Spring Exhibition, also known as The Flower Exhibition, held March 17-29, 1930 at the Whitney Studio Galleries. Introduction by Lloyd Goodrich. Color cover with black and white illustrations and a list of the exhibition...
Letter written by C. S. Pietro to Gertrude Vanderbilt Whitney, dated January 18, 1917. Signed in ink. Two (2) sheets with information written in red ink on Page 2, verso.
Greeley, Horace, 1811-1872; Acton, Thomas C.; Botta, Anne C. Lynch (Anne Charlotte Lynch), 1815-1891; Brewer, J. Hart (John Hart), 1844-1900; Carroll, Thomas B.; Clay, Henry, 1777-1852; Cofey, Henry C.; Combs, Leslie, 1793-1881; Conkling, Roscoe,...
Letters, notes, a printed circular, and one receipt pertaining to the life and activites of Horace Greeley, dated from 1840 to 1872. Nearly all letters are written by Greeley; recipents include Thurlow Weed, Henry Clay, Roscoe Conkling, Andrew...
Moyer writes a letter praising Ward for his role as General Secretary in the Christian Socialist Fellowship and expressing regret that Ward must give up his role. Moyer writes of his belief that Carr would be the best candidate to take over the...
Grierson writes to Markham about an array of topics including various social issues and the financial independence of writers and poets and how it restrains them from criticizing certain men and writing about certain topics.
Le Prade thanks Markham for his willingness to write an introduction to her poetry. She talks of her studies at the Comnock School of Expression and writes of her discussions with John Milton Scott.
Le Prade praises Markham for his work and his friendship and the joy his work has brought to her life. She thanks him for his portraits and looks forward to meeting him again.
Appelbaum writes to Markham inviting him to be part of the committee on capital punishment that has been organized by the Humanitarian Cult. Appelbaum also invites Markham to speak at an upcoming meeting.
Manuscript draft of a two-page letter from Lysander Spooner in Worcester [Massachusetts] to Gerrit Smith, dated March 30, 1850, in which Spooner accuses Gerrit of copyright infringement.
