Riverdale Children's Association; Colored Orphan Asylum (New York, N.Y.); Association for the Benefit of Colored Orphans (New York, N.Y.); Charities--New York (State)--New York; Children, Black--New York (State)--New York; African American...
The records of the Colored Orphan Asylum document the activities of the institution from 1836 to 1972, with the bulk of the records falling between 1850 and 1936. The records include minutes of general meetings, the Executive Committee, the...
Riverdale Children's Association; Colored Orphan Asylum (New York, N.Y.); Association for the Benefit of Colored Orphans (New York, N.Y.); Charities--New York (State)--New York; Children, Black--New York (State)--New York; African American...
The records of the Colored Orphan Asylum document the activities of the institution from 1836 to 1972, with the bulk of the records falling between 1850 and 1936. The records include minutes of general meetings, the Executive Committee, the...
Copy of typed letter written by Juliana Force to Cecil Howard, dated January 11, 1930. Regarding Gerard Cochet's exhibition, a statement of sales, and a check for $618.75, to be passed on to Cochet.
Typed letter written by John Graham to Alice Campbell, Whitney Studio Galleries, dated March 31, 1929. Signed. Informing Campbell that his tempera painting, "Horse and harlequin", was not Dudensing Gallery's possession, since it was exhibited in...
Art, American--20th century--Exhibitions; Whitney Studio Club--Paperwork (Office practice);
Itemized delivery receipt, dated February 2, 1928, for works of art sent to Denver Art Museum to be exhibited in the Traveling Exhibition. Titles and artists listed. Two (2) pages.
Catalogue from a traveling exhibition of paintings by members of the Whitney Studio Club held December 1927 at the Minneapolis Institute of Arts. Exhibition shown at five American museums. Catalogue lists sale prices for all works. Title from cover.
Art, American--20th century ; Art, Modern--20th century--Societies, etc.
Announcement of the disbanding of the Whitney Studio Club. Original context and source of publication unknown. Penciled notations on document dispute the date range in announcement heading. Publication date taken from penciled note on top-right...
Art, American--Exhibitions ; Art, Modern--20th century--United States--Exhibitions; Flowers in art--Exhibitions
Catalogue from the Spring Exhibition, also known as The Flower Exhibition, held March 17-29, 1930 at the Whitney Studio Galleries. Introduction by Lloyd Goodrich. Color cover with black and white illustrations and a list of the exhibition...
Art, American--Exhibitions ; Art, Modern--20th century--United States--Exhibitions; Flowers in art--Exhibitions
Catalogue from the Spring Exhibition, also known as The Flower Exhibition, held March 17-29, 1930 at the Whitney Studio Galleries. Introduction by Lloyd Goodrich. Color cover with black and white illustrations and a list of the exhibition...
Catalogue of an exhibition of American paintings organized by Gertrude Vanderbilt Whitney. The Overseas Exhibition was shown in Venice, London, Paris and Sheffield, returning to the Whitney Studio in November 1921. Introduction by Gertrude...
Catalogue of an exhibition of American paintings organized by Gertrude Vanderbilt Whitney. The Overseas Exhibition was shown in Venice, London, Paris and Sheffield, returning to the Whitney Studio in November 1921. Introduction by Gertrude...
Catalogue of an exhibition held February-March 1925 at the Whitney Studio Galleries. Includes 45 plates. "Exhibition assembled by M. de Zayes. Attributions, dates and descriptions are from the complete catalogue of this collection made by Mmme....
Catalogue for the Whitney Studio Club Exhibition (Traveling Exhibition) held at the California Palace of the Legion of Honor, San Francisco, CA, from January 16-January 31, 1928. Includes 2 black and white plates. Artists include: Pamela Bianco,...
Two-page typed letter from Russel Plimpton, Minneapolis Institute of Arts to Juliana Force, dated December 27, 1927. Regarding the sale of a Eugene Speicher painting.
